The Big Lebowski (BFI Film Classics)


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The Best of The Big Lebowski

The Big Lebowski. Joshua M. Since its release nearly ten years ago, The Big Lebowskihas become a cult classic with a worldwide following, having survived the baffled reaction of many mainstream critics.

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Its fans tend to be fanatical, congregating at 'Lebowski Conventions' in bowling alleys across American and Britain, and even dressing up as characters from the film. Among the funniest films of the last twenty-five years, and one of the high-water marks of s genre recycling and pastiche, The Big Lebowskiis also littered with playful and subversive references to film history, especially to Raymond Chandler's world of hardboiled detective classics and the world of film noir.


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The Big Lebowskiis the rarest kind of film, a comedy whose jokes become funnier with repetition. How remarkable, then, that filtering Chandler through the mind of The Dude renders its genre trappings almost unrecognisable, like wrapping an elephant statue in multiple layers of gauze. He picks up clues almost by accident. Even smaller characters like Donnie a monosyllabic Steve Buscemi and sexual deviant bowler Jesus Quintana Turturro again are given light and shade; these are larger-than-life characters, sure, but they emerge as believable people from the fringes of society rather than collections of quirks.

The Dude was based on a friend of the Coens - independent movie producer and one-time anti-Vietnam war protestor Jeff Dowd.

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The Big Lebowski

The two movies share plenty in common, including an LA setting, a kidnapping and a cast of perpetually confused neurotics. The Big Lebowski also sees the Coens experiment further with the use of cinematography and music to elicit unexpected, often surreal laughs. Photographer Roger Deakins who previously worked with the Coens on Fargo , The Hudsucker Proxy and Barton Fink clearly has a great time lighting and framing the Busby Berkeley-inspired dream sequences, or the innovative shots where the camera follows a bowling ball on its date with a forest of pins.

The Big Lebowski positively glitters with clever touches like this - moments that appear to be meaningless but actually wind up being paid off later on. It would be quite easy to sit here and simply type away about the brilliance of the dialogue - the way even incidental lines trip off the tongue and understand the melody of language. Actually, let's interrupt this appreciation with a few of The Big Lebowski' s most quotable lines.

The Big Lebowski on the Big Screen | The Mandeville Hotel

You're sure to have plenty of your own, but here are my favourites:. Fuck me.


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I mean, say what you want about the tenets of National Socialism, Dude, at least it's an ethos. I'm the Dude.

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So that's what you call me. You know, that or, uh, His Dudeness, or uh, Duder, or El Duderino if you're not into the whole brevity thing. Where some of us might be tempted to ingratiate ourselves to a millionaire like Lebowski, the Dude simply sits back in his chair with his hair flopping over his red-ringed eyelids. The Dude, for all his sleepy-eyed cluelessness, does eventually get to the bottom of the whole Bunny kidnapping mystery.

The Big Lebowski (BFI Film Classics) The Big Lebowski (BFI Film Classics)
The Big Lebowski (BFI Film Classics) The Big Lebowski (BFI Film Classics)
The Big Lebowski (BFI Film Classics) The Big Lebowski (BFI Film Classics)
The Big Lebowski (BFI Film Classics) The Big Lebowski (BFI Film Classics)
The Big Lebowski (BFI Film Classics) The Big Lebowski (BFI Film Classics)
The Big Lebowski (BFI Film Classics) The Big Lebowski (BFI Film Classics)
The Big Lebowski (BFI Film Classics) The Big Lebowski (BFI Film Classics)
The Big Lebowski (BFI Film Classics) The Big Lebowski (BFI Film Classics)

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