Elements of Black and White Photography: The Making of Twenty Images


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1. Do A Bit Of Planning For The Best Black And White Photography

If you click on the little circle your mouse pointer will now have little up and down arrows, as well as your cursor showing the same icon as you hover over the image. How cool is that?!

Learn how to shoot stunning mono photographs

This is very helpful if you do not know which sliders to adjust. Take it up a notch by adding some punch to your image. Make sure you actually have some black, and some white in your image. Check the histogram and use my little tip on seeing the clipped bits.

Add contrast or increase the blacks, whites, or both to get a full range of tones. There are a couple ways to make selectively coloured images, and also to create that faded look that is really popular. Once again you can use the Vibrance and Saturation sliders in the Basic panel, however they will affect colours in the entire image the same. You can also use the Adjustment Brush and paint in a lower saturation onto parts of your image where you want to fade out the colour. I use that method quite often, even on full colour images, to do tone control on items in the background that are distracting.

Lastly you can use the sliders in the HSL panel. By sliding selected colours to the left you can desaturate only those colours. None is right or wrong, just give you a different look and some have more control than others. Choose the one that works for you on in individual image basis.

Adjustment brush used to paint in saturation at to the whole image except for the wool.

Step 2: Drag the B/W Photo Into Photoshop.

HSL sliders used to desaturate by separate colours. A little extra bonus tip for you. Adobe has made it super easy to create a really nice duotone just means two tones, go figure! You will see sliders for both Highlights, and Shadows. My personal tip on how to keep a nice clean sepia or toned image is to use ONLY the Shadows sliders and do not touch Highlights.

First start by choosing the Hue slider for Shadows.

Creating Better Black and White Photos

If you want a nice brown colour, start with it around Each image tones slightly differently, so start there and adjust to your taste and style. You may notice that nothing happened, right? That is because you need to increase the Saturation slider before the tone will show up. The more you increase saturation, the deeper and more vibrant the colour tone will become.

For a subtle, dark, chocolate brown try If you want a different tone just move the Hue slider. You can create some really neat affects this way including Blue Tone or a true Duotone. The whites have a yellow tint now instead of a nice clean look. A final tip for telling a great story is to include mystery in your photographs. That is, make sure that there are some aspects of your photos that leave room for interpretation. Look at the mysterious figures in the photo below.

Timeless Principles of Black and White Photography – Pictureline

Notice the silhouettes in the photo above. Can you sense the mystery? Silhouettes really do make for a great story. Click here to watch this video. You need to make sure that there is a single element that the viewer can focus on. If your silhouette overlaps with another object, then the whole shot is ruined.

Yet this can be tough if your main subject is a person. After all, people are always on the move! So how do you ensure perfect placement of the main subject? How do you get them in the perfect position? Burst mode is an iPhone camera feature that allows you to take over 10 photos per second. To use burst mode, simply hold down the shutter button when your subject begins to move into the frame.

Tip #2 – don’t just stop there, add some punch

And after the shoot, you can go through all of your images. You can pick out your best ones and delete the rest. Without burst mode, I might not have captured the shot of the biker above. I wanted to photograph them in a very specific place—and burst mode helped me do that! It can be tough to create photos that are truly your own. Start by finding a clear foreground subject. You want to find something that is recognizable.

Ideally, it will lead the eye from the foreground to the background. Finally, make sure that you compose with a second, smaller subject behind this large foreground subject. For instance, I made sure there was a smaller person toward the top of the photo below. The point is to create strong visual interest in the foreground. This draws the viewer in. Notice how the railing in the photo above leads the eye to the tiny figures in the distance.

This is the effect that you want to create. Of course, be sure to experiment. Try approaching your foreground subject from different angles. Try getting lower and higher. Or try moving to the right or left. One of the best foreground subjects is a large arrow on the ground. You can get down low over the arrow. Make sure that it dominates the frame. Then you can position yourself so that the arrow is in line with your second subject in the background.

That said, I want to give you a place where you can have a lot of fun doing photography. For one thing, train stations often have deep shadows and fantastic lines. These all work very well in black and white photography. You have people passing in every direction. This means that there are lots of great stories to tell! Also, you have lots of artificial lights—many of which can be used to backlight your subject.

Start by positioning yourself near some stairs. That is, place yourself against the wall, just where the stairs let out. For instance, a single person may walk down the stairs, backlit by the light from above. Instead, editing is about creating the photo that you imagined from the beginning. The fact is, cameras are limited. And so you need to edit to depict what you originally saw.

I use the Filterstorm Neue app. Snapseed is a free alternative. VSCO offers some nice black and white filters, as well. In fact, most basic photoshop apps include all of the necessary tools. Now, I always shoot my images in color.


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Then I convert my images to black and white using an app like Filterstorm Neue or Snapseed. However, you can start by shooting with a black and white app such as Blackie. The Camera app has a decent black and white filter, too: the Noir filter. I like contrast-heavy filters. And the Noir filter is sufficiently contrasty for my tastes. Tap on Edit. I always add lots of contrast to my images.

Contrast is extremely important for black and white photography.

It adds drama and helps create a sense of tension. Adding vignettes to your black and white photos can help, too. Vignettes create a slight darkening around the edges of a photo. You can use them to emphasize the main point of interest. Free Video Reveals Instead, you should plan your shots in advance. Previsualize your images.

How to master black and white photography

Think about what you want to convey. Once you have all of these elements in your head, only then should you go out and shoot. How does backlighting create drama? Any objects become silhouettes. And silhouettes are fantastic for creating drama. And your subjects will become dramatic silhouettes. How do you arrange the elements within the frame? I follow it religiously. Keep it simple. This may seem difficult. How do you tell a story with an image? In fact, you already know a great technique for adding mystery: shooting silhouettes! Silhouettes lack detail.

Colorize Black and White with Realism in Photoshop

Viewers start to wonder: Who is this person?

Elements of Black and White Photography: The Making of Twenty Images Elements of Black and White Photography: The Making of Twenty Images
Elements of Black and White Photography: The Making of Twenty Images Elements of Black and White Photography: The Making of Twenty Images
Elements of Black and White Photography: The Making of Twenty Images Elements of Black and White Photography: The Making of Twenty Images
Elements of Black and White Photography: The Making of Twenty Images Elements of Black and White Photography: The Making of Twenty Images
Elements of Black and White Photography: The Making of Twenty Images Elements of Black and White Photography: The Making of Twenty Images
Elements of Black and White Photography: The Making of Twenty Images Elements of Black and White Photography: The Making of Twenty Images
Elements of Black and White Photography: The Making of Twenty Images Elements of Black and White Photography: The Making of Twenty Images
Elements of Black and White Photography: The Making of Twenty Images Elements of Black and White Photography: The Making of Twenty Images

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